i love wordplay. and things like puns and witty punch lines and classic comebacks, etc.
being hopelessly inept at it doesn't change the fact that I am inordinately impressed whenever I hear somebody press home a point with a succinct, hit-the-nail-on-its-head, idiomatic phrase. In gatherings or social affairs, you won't be hard-pressed to find the life of the party or the social wit — more often than not, (s)he is this smooth creature who rolls off glib remarks at a drop of a hat, and who leaves the audience chortling, nodding in agreement and inwardly wondering if they've somehow missed the point.
i am forever waiting for that opportune moment when I, too, could be imbued with such smooth, rapier-like timing and say something slick like
The eleventh pun always gets a laugh, even if no pun in ten did."
or at least a just tiny fraction of Piers Anthony's fertile punny concoctions for his Xanth novels (e.g., Centaur Aisle, Air Apparent, the perennially late character Justin Thyme).
but sad to say, I just don't have it. more often than not I'd be hampered by a slow mental process (er, slow on the uptake?), sloppy timing, inarticulateness, and occasionally, consideration for the subject (person). usually, by the time i can think of some sleek repartee, the moment has already passed and everybody else has jumped on to a new topic. if ever i blurt out anything remotely clever and funny at the same time, it's more of an accident than by design.
sometimes it makes me wish I had Adam Sandler's remote control (again! this device is getting to be a mainstay of my conversation these days) to make time stop while I reach for my dictionary or List of Witty Things to Say for Every Occasion. that sure would things simpler, except that it could spoil the momentum or something (spontaneity?).
I guess that's one reason why I take refuge in writing. collecting witticisms and devising ways in which they can be delivered with perfect timing and the right amount of deadpan panache isn't all that hard when you have full control of the situation and the characters. moreover, you can always rewrite scenes or dispatch certain characters if you think they're getting too big for their breeches (or too incoherent). Or something.
while I'm floundering around for a nice clincher to finish off this brief note (*thinking real hard*)… uhhh, okay, I give up. i haven't thought of anything yet, but I'll get back to you on that as soon as I've come up with something subtle or sublimely witty.
I’m watching my F.R.I.E.N.D.S. DVDs when I read your post.
That ability to produce witty-and-funny lines can sure make a fortune
cheska: that’s my point exactly. when i’m on my own, i am generally fine and can occasionally manage to sound interesting. it’s when i’m with other people — i just suck despite my best efforts
zarine: yeah, funny lines sure can make you rich too. but i imagine it takes real talent and consistent hard work to achieve that. jeeze, no wonder i’m still poor
“i haven’t thought of anything yet, but I’ll get BACK to you on that as soon as I’ve COME up with something subtle or sublimely WITTY.”
your last sentence is already a witty comeback. =)
Posted by Cheska at February 11, 2007, 9:15 am